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![]() Mummenschanz
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| Author | Topic: Mummenschanz |
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Basheva Moderator |
Here is an article from the New York Times on this very interesting company: Blobs and Windows that Grab the Emotions IP: Logged |
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Priscilla Moderator |
I do seem to have heard the name of this group before... And reading about their work certainly interests me in seeing it. Amazing how much the performers are able to express from underneath all that stuff. IP: Logged |
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trina Moderator |
I saw this group many years ago on Broadway...I loved them. They were sort of a precursor of Blue Man group or Pilobolus. Physical comedy vis a vis contortions, weird creature-like costumes, and mime. Recommend them to folks who like this type of physical theatre/comedy. [This message has been edited by trina (edited December 28, 2000).] IP: Logged |
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Azlan Administrator |
Trina, did you mean to say "I saw" or "I was"? As you have an extensive experience in both watching as well as performing, I can't tell which you mean... IP: Logged |
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Basheva Moderator |
I, too, saw this group many, many years ago and loved them........ IP: Logged |
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Maggie Moderator |
Trina, I saw them on Broadway, too. Maybe we were at the same performance. I laughed so hard tears were running down my face. For some reason, I really liked the moveable clay mask piece they did. And the masks that consisted of rolls of toilet paper. I would LOVE to see them again. IP: Logged |
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Basheva Moderator |
From the Philadelphia Inquirer: EVOLUTION SANS WORDS, OR HUMAN FACES
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Basheva Moderator |
MUMMENSCHANZ February 25, 2001 California Center for the Arts, Escondido, California Written by: Basheva It was a cold, wet, very un-Southern California day outside, but on the inside the warm theater was filled with people enjoying the ephemeral art of mime and masquerade. This troupe of four artists, Floriana Frassetto, Bernie Schurch, Raffaella Mattioli and Jakob Bentsen, bring to life pieces of cloth, wisps of paper, strands of light and diaphanous floating shapes. A square, a circle, and a triangle take on life before our eyes. They assume personalities and though so differently shaped than we are, end up resembling us. We can recognize fear, anger, comedy and love, wonder and hope. And so they come alive. Mummenschanz uses simple things one might find in an attic; boxes, wires, a pot pourri of castoffs but in the hands of these artists they become shapes of mushrooms that skim along, carpets that soar and sink, only to soar again. They move as we might like to move, unfettered by weight of gravity or commonplace. These are creatures of an innocent imagination, lunar creatures of a pleasant dream. Imagine it and then do it is apparently what these most clever artists have done. Though only one of their biographies lists dance or choreography as a background, make no mistake this is dance and it is choreography. There is no need for sound; this is a performance done almost entirely in complete silence. It is an artistry that delights and has no need for augmentation. Treat yourself to Mummenschanz and be prepared to sit with a smile on your face. The lighting and stage direction are crucial to the success of this performance and so I heartily commend technical director and stage manager, Francois Thouzet. Further words about the California Center for the Arts Theater. This theater is located about thirty miles north of San Diego. It is now getting first rate artists in every sphere. It has a season that is well worth looking into. IP: Logged |
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JM Member |
I just saw them again, in a performance for children, a few weeks ago. I was disappointed but am hoping it was because it wasn't their regular performance. It seemed old and tired. I'd seen them in NYC many years ago when they first arrived on the scene and just loved them. IP: Logged |
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Basheva Moderator |
Well, JM - I am sorry to hear that - but I guess performances like the one you describe happen to all of us at one time or another. Last night's performance is still with me. IP: Logged |
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Basheva Moderator |
From the Los Angeles Times: MIME MASTERS OF MUMMENSCHANZ RETURN IN FINE FORM
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